What Women's Literature argues
- This is the hexagonal gallery of Women's Literature — the long tradition of women writing themselves into the record, from Christine de Pizan's medieval city built of women's deeds to Virginia Woolf's demand for five hundred pounds a year and a room of one's own. It is a floor of firsts won against the grain: the first English professional woman writer and the first published poet of the American colonies.
- One shelf holds the argument: Mary Scott's versified roll-call of learned women, Mary Wollstonecraft's Vindication, Mary Hays's six-volume Female Biography, Sarah Josepha Hale's Woman's Record, Ida B. Wells's Southern Horrors, and Elizabeth Cady Stanton's Woman's Bible — three centuries of the case, made in poetry, polemic, and biography, that women's minds and lives matter.
- Another shelf holds the novel, where women came to rule: Behn's Oroonoko, Austen's Pride and Prejudice, the Brontë sisters' twin thunderclaps of 1847, Gaskell, Eliot's Middlemarch, Chopin's Awakening, Wharton, Schreiner, Larsen's Passing, and Montgomery's Blue Castle — beside the poets Bradstreet, Barrett Browning, Rossetti, and Dickinson, and the testimony of Harriet Jacobs.
- Each card carries an authentic public-domain likeness of its author where one survives — Branwell Brontë's portraits of his sisters, Cassandra Austen's sketch of Jane, the Beresford photograph of Woolf — or an honest title-page scan where none does. All thirty-four works are in the public domain.
Primary works in Women's Literature (36)
- Christine de Pizan — The Book of the City of Ladies (1405) — Book · read the full text
- Anne Bradstreet — The Tenth Muse Lately Sprung Up in America (1650) — Book · read the full text
- Aphra Behn — Oroonoko: or, The Royal Slave (1688) — Book · read the full text
- Mary Scott — The Female Advocate; a Poem (1774) — Book · read the full text
- Mary Wollstonecraft — A Vindication of the Rights of Woman (1792) — Book · read the full text
- Mary Hays — Female Biography, Vol. I (1803) — Book · read the full text
- Mary Hays — Female Biography, Vol. II (1803) — Book · read the full text
- Mary Hays — Female Biography, Vol. III (1803) — Book · read the full text
- Mary Hays — Female Biography, Vol. IV (1803) — Book · read the full text
- Mary Hays — Female Biography, Vol. V (1803) — Book · read the full text
- Mary Hays — Female Biography, Vol. VI (1803) — Book · read the full text
- Jane Austen — Pride and Prejudice (1813) — Book · read the full text
- Mary Shelley — Frankenstein; or, The Modern Prometheus (1818) — Book · read the full text
- Charlotte Brontë — Jane Eyre (1847) — Book · read the full text
- Emily Brontë — Wuthering Heights (1847) — Book · read the full text
- Elizabeth Barrett Browning — Sonnets from the Portuguese (1850) — Book · read the full text
- Sarah Josepha Hale — Woman's Record; or, Sketches of All Distinguished Women (1853) — Book · read the full text
- Elizabeth Gaskell — North and South (1854) — Book · read the full text
- Harriet Jacobs — Incidents in the Life of a Slave Girl (1861) — Book · read the full text
- Christina Rossetti — Goblin Market and Other Poems (1862) — Book · read the full text
- Louisa May Alcott — Little Women (1868) — Book · read the full text
- George Eliot — Middlemarch: A Study of Provincial Life (1871) — Book · read the full text
- Olive Schreiner — The Story of an African Farm (1883) — Book · read the full text
- Emily Dickinson — Poems (1890) — Book · read the full text
- Ida B. Wells — Southern Horrors: Lynch Law in All Its Phases (1892) — Book · read the full text
- Elizabeth Cady Stanton — The Woman's Bible (Part II) (1898) — Book · read the full text
- Charlotte Perkins Gilman — The Yellow Wallpaper (1899) — Book · read the full text
- Kate Chopin — The Awakening (1899) — Book · read the full text
- Edith Wharton — The House of Mirth (1905) — Book · read the full text
- Edith Wharton — The Custom of the Country (1913) — Book · read the full text
- Charlotte Perkins Gilman — Herland (1915) — Book · read the full text
- Lucy Maud Montgomery — The Blue Castle (1926) — Book · read the full text
- Nella Larsen — Passing (1928) — Book · read the full text
- Virginia Woolf — A Room of One's Own (1929) — Book · read the full text
- Elizabeth Gaskell — Cranford (1853) — Book · read the full text
- Elizabeth von Arnim — The Enchanted April (1922) — Book · read the full text
Chambers connected to Women's Literature
- First Novels — Women built the novel. From Behn's Oroonoko through Austen, the Brontës, and Eliot, the form the first novelists invented became the instrument women used to anatomize society — and to enter literature's front rank.
- Poetry — The tradition begins in verse. Bradstreet was colonial America's first published poet, and Barrett Browning, Rossetti, and Dickinson stand among the century's greatest lyric voices.
- Letters and Essays — The argument runs through reflective prose. Wollstonecraft's Vindication and Woolf's A Room of One's Own belong to the essay's great tradition — the polemic and the meditation as instruments of change.