What Russian Literature argues
- This is the hexagonal gallery of Russian Literature — the astonishing burst of genius that, in less than a century, carried Russia from a literary borrower to the summit of the European novel. It is the floor of Pushkin and Tolstoy, of Dostoevsky and Chekhov: a literature obsessed with the soul, with God and doubt, with guilt and freedom, and with the vast, suffering land that produced it.
- It begins with Alexander Pushkin, the fountainhead, who forged a modern literary Russian almost single-handedly — in the verse novel Eugene Onegin, the taut prose tales, and the narrative poems — and with Mikhail Lermontov and Nikolai Gogol, who gave Russia its first great psychological hero and its first great satire. From Pushkin's clear spring flows everything that follows.
- Then come the giants of the realist novel. Turgenev and Goncharov chart the twilight of the gentry; Dostoevsky descends into the underground of the divided self in Crime and Punishment, The Idiot, and The Brothers Karamazov; and Tolstoy raises the panorama of a whole civilization in War and Peace and Anna Karenina. Anton Chekhov closes the age, dissolving plot into mood and inventing the modern short story and the modern play.
- Each card carries an authentic public-domain likeness of its author — Kiprensky's Pushkin, Perov's Dostoevsky, Kramskoi's Goncharov, Repin's Turgenev — and links to a public-domain edition on the Internet Archive. All twenty-two works are in the public domain.
Primary works in Russian Literature (22)
- Alexander Pushkin — Eugene Onegin (1833) — Book · read the full text
- Alexander Pushkin — The Queen of Spades (1834) — Book · read the full text
- Alexander Pushkin — The Captain's Daughter (1836) — Book · read the full text
- Alexander Pushkin — The Bronze Horseman (1837) — Book · read the full text
- Mikhail Lermontov — A Hero of Our Time (1840) — Book · read the full text
- Mikhail Lermontov — The Demon (1842) — Book · read the full text
- Nikolai Gogol — Dead Souls (1842) — Book · read the full text
- Ivan Goncharov — Oblomov (1859) — Book · read the full text
- Ivan Turgenev — A Nest of the Gentry (1859) — Book · read the full text
- Ivan Turgenev — Fathers and Sons (1862) — Book · read the full text
- Fyodor Dostoevsky — Notes from the Underground (1864) — Book · read the full text
- Fyodor Dostoevsky — Crime and Punishment (1866) — Book · read the full text
- Fyodor Dostoevsky — The Idiot (1869) — Book · read the full text
- Fyodor Dostoevsky — The Brothers Karamazov (1880) — Book · read the full text
- Leo Tolstoy — War and Peace (1869) — Book · read the full text
- Leo Tolstoy — Anna Karenina (1877) — Book · read the full text
- Leo Tolstoy — The Death of Ivan Ilyich (1886) — Book · read the full text
- Leo Tolstoy — Resurrection (1899) — Book · read the full text
- Anton Chekhov — Uncle Vanya (1898) — Book · read the full text
- Anton Chekhov — Short Stories (1899) — Book · read the full text
- Anton Chekhov — The Cherry Orchard (1904) — Book · read the full text
- Leo Tolstoy — Hadji Murad (1912) — Book · read the full text
Chambers connected to Russian Literature
- First Novels — Russian Literature is the supreme flowering of the realist novel. What the first novelists began, Tolstoy, Dostoevsky, and Turgenev carried to its highest pitch — the novel as a total inquiry into society and the soul.
- Poetry — The floor is rooted in verse. Pushkin and Lermontov were first and foremost poets, and Eugene Onegin is a novel written entirely in stanzas — the Russian novel is born out of Russian poetry.
- First Plays — Anton Chekhov reinvented the theatre. Uncle Vanya and The Cherry Orchard replace plot and melodrama with mood, subtext, and the drama of ordinary time — the foundation of modern drama.